Choreographer and dancer, Hind Benali, discusses women’s issues and dance in Morocco. This clip is a section of a larger trace that highlights females choreographers from countries throughout Africa. This interview took place during the Action Danse Festival (November-December 2010).
Archive for the ‘Morocco’ Category
Hind Benali speaks on women and dance
Posted: December 12, 2010 in African Contemporary Dance, Contemporary Dance, Dance in and outside of Africa, Danse Contemporaine, Morocco, Video Traces, Women and DanceTags: Action Danse, Hind Benali
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Hind Benali speaks on Action Danse- Morocco
Posted: December 12, 2010 in African Contemporary Dance, Danse Contemporaine, Morocco, Video Traces, Women and DanceTags: A'kadda, Action Danse Festival, Association Fleur d'Orange, Baker & Tarpaga Dance Project, Bamba Diagne, Choreographer, Cie Metiss'age, Hind Benali, Momar Ndiaye, Sashar Zarif Dance Theatre
Hind Benali, Choreographer, Director of l’Association Fleur d’Orange, and Action Danse Festival director discusses Action Danse 2010, held in Meknes, Casablanca, and Rabat, Morocco. In the video there are features of the work of Baker & Tarpaga Dance Project, Sashar Zarif Dance Theatre, Momar Ndiaye & Bamba Diagne, Cie Metiss’age, and A’kadda. In addition there [...]
What is Shifting Centers: Creative Collaboration in and outside of Africa through Cyberlearning and Ubiquitous Technologies?
Posted: June 19, 2010 in African Contemporary Dance, Baker & Tarpaga Dance Project, Contemporary Dance, Cross-cultural exchange, Dance in and outside of Africa, Danse Contemporaine, History of Contemporary African Dance, Kenya, Mali, Morocco, Research Phase, Senegal, Shifting Center Cyber, Technology, Video TracesPhotography by Charles Kang Shifting Centers Cyber Dance Project Over the course of seven months, we’ll go to seven countries: Senegal, Mali, Morocco, Kenya, South Africa, Burkina Faso, and Madagascar. The American and African transnational traveling team will meet established African-based choreographers in their home cities and document the conversations and movement dialogues in a [...]
