Interview with Fernando Anuagn’a solo “Journey to the Future” presented at Danse l’Afrique danse! 2010. His interview is part of BT Dance Project’s Shifting Centers: Dance and Technology in and outside of Africa which highlights current contemporary African dance work throughout various countries in Africa.
Archive for the ‘History of Contemporary African Dance’ Category
Fernando Anuagn’a- Kenyan Choreographer/Dancer
Posted: November 26, 2010 in African Contemporary Dance, Baker & Tarpaga Dance Project, Contemporary Dance, Dance in and outside of Africa, Danse Contemporaine, Danse l'Afrique Danse!, History of Contemporary African Dance, KenyaContemporary Dance: Africa, Dialogue De Corps Burkina Faso 2004
Posted: October 13, 2010 in African Contemporary Dance, Baker & Tarpaga Dance Project, Burkina Faso, Contemporary Dance, Dance in and outside of Africa, Danse Contemporaine, History of Contemporary African DanceBy: Esther Baker-Tarpaga copyright 2010 Baker-tarpaga.1@osu.edu *Dedicated to the strength and dance of the late Beatrice Kombe (1972-2007) from Ivory Coast, Madrice Imbujo (1975-2006) from Congo Brazzaville, and Souleyman Porgo (1972-2006) from Burkina Faso. Contemporary Dance: Africa Dialogues De Corps Burkina Faso 2004 “I did not study at a school. I developed myself from what [...]
What is Shifting Centers: Creative Collaboration in and outside of Africa through Cyberlearning and Ubiquitous Technologies?
Posted: June 19, 2010 in African Contemporary Dance, Baker & Tarpaga Dance Project, Contemporary Dance, Cross-cultural exchange, Dance in and outside of Africa, Danse Contemporaine, History of Contemporary African Dance, Kenya, Mali, Morocco, Research Phase, Senegal, Shifting Center Cyber, Technology, Video TracesPhotography by Charles Kang Shifting Centers Cyber Dance Project Over the course of seven months, we’ll go to seven countries: Senegal, Mali, Morocco, Kenya, South Africa, Burkina Faso, and Madagascar. The American and African transnational traveling team will meet established African-based choreographers in their home cities and document the conversations and movement dialogues in a [...]